The Untied Knot

by Shooglenifty

  • Compact Disc (CD) + Digital Album

    Cover Art by John Byrne.
    Arguably Scotland’s greatest living artist: he recently had a major retrospective at the National Portrait Gallery and several of his portraits are included in the gallery’s permanent collection. He is also well known as a writer of plays, films, and TV series (Tutti Frutti anyone?). One of his best known works, The Slab Boys, has just completed a sell-out revival at Edinburgh’s King’s Theatre.

    Getting Byrne to design the cover for The Untied Knot saw him continue a long love affair with music. In the 1960s and 70s he designed covers for folk luminaries Stealer’s Wheel, Gerry Rafferty, Billy Connolly, and Donovan. A less well-known commission was received from The Beatles in 1968, for the album that was to become The White Album. Byrne’s design wasn’t used, but reappeared in 1980 as the cover for The Beatles’ Ballads compilation.

    Includes unlimited streaming of The Untied Knot via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days

      £8 GBP or more 


  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

      £6 GBP  or more


  • Full Digital Discography

    Get all 11 Shooglenifty releases available on Bandcamp and save 40%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of The Untied Knot, A Splendid Notion, Wintering Out, The Hills Of Glengarry, The Music of Burns, Mongrel Unleashed, And You May Find Yourself, Troots, and 3 more. , and , .

      £24.60 GBP or more (40% OFF)




“This is a class act, truly in line for album of the year”
– Simon Jones, fROOTS

“Remarkably exciting and fresh *****”
– Billy Rough, Songlines

“Gaelic vocalist Kaela Rowan fits Shooglenifty’s skilfully knitted left-field sound as snugly as a kilt”
– The Australian

This is Shooglenifty’s seventh studio album, and the first to feature a collection of songs. The breathtaking ‘puirt a beul’ (mouth music) of Gaelic vocalist Kaela Rowan brings a captivating and energising new element to the band’s sound, and further confounds any attempt to categorise them. 

The Untied Knot drops additional pins in the Shoogles’ map of international influences, this time hitting the road from Scotland to Rajasthan. Watch out for James Mackintosh and Kaela Rowan’s The High Road To Jodhpur, a tune that makes that connection explicit, whilst Burns’s Tam o’Shanter is the ‘closer to home’ inspiration for the title track by Quee MacArthur.

Former band member Luke Plumb’s fresh compositions – the psychedelic Arms of Sleep and The Highway Carpark, a ‘hurry up and wait’ classic – are included, whilst new mandolin player Ewan MacPherson makes his mark with three tunes. His Somebody’s Welcome To Somewhere, a tongue-in-cheek Highland march, features the princely pipes of a guesting Ross Ainslie. Ewan also contributes a dark nautical romp The Devil’s Breath Hornpipe, and speedy pair of reels clearly spawned by the Shoogle dance gene: Samhla Reel/Scolpaig.

A dazzling contribution by Garry ‘Banjo’ Finlayson, The Scorpian (sic) is a fascinating and enigmatic creature, whilst Fitzroy’s Crossing, the striking Antipodean closing track by Shooglenifty front man Angus R Grant, is proof positive that there is no musical journey this band can’t take.


released July 6, 2015



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Shooglenifty Edinburgh, UK

Shooglenifty invented a new and spellbinding way of playing Highland music as a groove-based entity. The band continues to blaze a trail of ‘acid-croft’ that no others can touch.

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